John George Brown
1831-1913
John George Brown Galleries
John George Brown (November 11, 1831 - February 8, 1913), American painter, was born in Durham, England, on 11 November 1831. He studied at Newcastle-on-Tyne, in the Edinburgh Academy, and after moving to New York City in 1853, he studied with Thomas Seir Cummings at the schools of the National Academy of Design, of which he became a member in 1863.New International Encyclopedia He was its vice-president, 1899-1904, and originated the idea of the removal of the Academy to a new site in 110th Street.
In 1866 he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. He generally confined himself to representations of street child life, bootblacks, newsboys, etc.; his Passing Show (Paris, Salon, 1877) and Street Boys at Play (Paris Exhibition, 1900) are good examples of his popular talent. Brown's art is best characterized as British genre paintings adapted to American subjects. Essentially literary, it is executed with precise detail, but is poor in color, and more popular with the general public than with connoisseurs. Related Paintings of John George Brown :. | Sympathy | The Bride | Cleaning Fish | Sleeping Angel | Walk In | Related Artists: Momper II, Joos deFlemish Baroque Era Painter, 1564-1635 Albani FrancescoItalian, 1578-1660
Italian painter and draughtsman. He was a distinguished artist of the Bolognese school, deeply influenced by Annibale Carracci's classicism, who worked in Rome as well as Bologna, painting altarpieces, frescoes and and cabinet pictures. His fame rests on his idyllic landscapes and small mythological pictures, Jakob MertensJakob Merten (August 11, 1809 - February 22, 1872) was a German Catholic theologian who was born in Wittlich.
He studied theology in Trier, where in 1833 he received his ordination. Subsequently he became a chaplain in Trier, where he worked closely with Franz Peter Knoodt (1811-1889). From 1843 to 1868 he was a professor of philosophy at the Episcopal Seminary in Trier.
Initially a prominent follower of Anton Genther's philosophy, Merten eventually abandoned Gentherianism as his career progressed. He was author of an essay on Gentherian philosophy titled Hauptfragen der Metaphysik in Verbindung mit der Speculation (Primary Questions of Metaphysics in Association with Speculation) (1840). Other noted works by Merten include:
Grundriss der Metaphysik, (Outline of Metaphysics); 1848
Der selige Frings und sein Freund als Antigentherianer; 1852
Bemerkungen zur Metaphysik von Balmes, (Remarks on the Metaphysics of Balmes); 1859
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